Enjoy the Colorful Photographic Impressions made by Vann Helms
Just west of the Blue Ridge Parkway’s Linville Falls entrance is a mountain top development called Blackpoint at Linville Falls. It sits atop grass covered hills in a sparsely settled area known mostly for growing Christmas trees.
A few very nice homes have been built below the crests of the hills.
To the north is a the new Linville Falls Winery and Christmas tree farm.
Check out this short video about this award winning mountain vineyard.
To the south is the impressive Black Mountain range and Mt. Mitchell.
This ancient Oak clings to the rocky hillside at sunset.
In the Autumn, the entrance is ablaze with color.
In the winter the entrance is like a Christmas card.
The best part of all is that just twenty minutes to the east is breathtaking Linville Falls and Linville Gorge, the Grand Canyon of the East. If this isn’t Paradise, I don’t know what is.
After five weeks of watching leaves change all over the mountains, the best show appears to be in my own back yard. With most areas way past their peak displays, Otter Creek Valley has saved the best for last. This afternoon I went just up the road to see what might be left of last week’s dramatic hues, and was treated to an eye popping palette of orange, yellow, green, and brown, against a deep blue sky.
For the past six Fall seasons, the colors in the upper part of Otter Creek Valley have peaked on or about November 5th, and this year was no different. After many cloudy, misty days, the Sun broke through this morning just long enough to let me capture the splendor that unfolds here every year. All of these images and the video at the end were made just up the road from my house.
My road is unpaved leading to my house, but it was paved higher up the
valley seven years ago when a new gated development opened. The paved
road winds through the valley for almost a mile, ending at a Cul-du-Sac.
This pristine wilderness still has only one inhabited home. I like to refer to this section of road as my own personal Blue Ridge Parkway, with no traffic. I’ve been all over these mountains, and this area still has the best color I have found anywhere, and without all the tourists.
A large stand of mature Loblolly Pines criss-crosses the valley. These trees rarely grow above 1,600 feet, so seeing them in a mountain setting is very unusual. The valley floor here is only 1,300 feet in elevation, with surrounding mountains towering above 3,000 feet. This difference makes for a very dramatic setting.
This video is just over five minutes. If you’re viewing this as part of your e-mail, click on the headline above to go directly to the blog to see the video. As usual. click on any image to see the full screen version.
Saturday morning I boarded the special train assembled by the North Carolina Transportation Museum for the trip to Asheville and back to Spencer, just east of Salisbury, N.C. Over a thousand people were on the train, which was made up of twenty-seven cars, including many vintage coaches. It was an all day affair, with a three hour stopover at Biltmore Village for lunch and shopping. The colors were some of the best I’ve seen in years, and if the ooing and awwing from other passengers was any indication, everyone felt the same way. Here are a few screen captures from a video I produced of the trip. The YOU TUBE link below will take you there. I recommend this trip for anyone who appreciates the wonder of nature, especially in the Fall.
Before color photography, the task of conveying the beauty of the Fall colors in a young America was left to the painters. The fall landscape and paintings of its trees in full glory is often regarded as uniquely American. From the 1820’s until the turn of the century, artists from New England to California produced a wealth of canvasses that brought the majesty of Autumn to the galleries in New York, Boston, Philadelphia, and Chicago. Long before the National Parks offered the public the opportunity to experience nature in all its wonder, these talented men braved wild animals and wild rivers, and climbed steep mountains just to capture the most dramatic vistas in an often uncharted wilderness.
I’ve assembled an assortment of works that is representative of the hundreds of oil paintings that were shown during this period. I’m inspired by these painters when I make a photograph. I welcome any additions to this group that you believe should be included. Just send me the artist’s name, and the title of their work, and I’ll feature them in a future post. Click on each image to enjoy the full screen version.
Albert Bierstadt (1830-1902) was the pre-eminent American landscape painter of the 19th century. His masterpieces captured the grandeur of this new land better than anyone else. He was part of the Hudson River School, which founded the “luminism” movement, and also the Rocky Mountain School, which glorifies the Western territories.
Autumn Woods 1886 ….. Albert Bierstadt
On the Saco River in Maine … Albert Bierstadt
Thomas Moran (1837-1926) ranked right up with Bierstadt when it came to quality and execution. His Yellowstone paintings were instrumental is making it the first National Park.
Cresheim Glen Wissahickon Autumn 1864 … Thomas Moran
Louis Remy Mignot (1831-1870) was the only Southern member of the Hudson River School, having been born in Charleston. He worked alongside Frederic Church, another Hudson River master. He was celebrated for his delicate use of color and atmospheric depiction of space. Passing at age 39, America missed out on so much more that he could have contributed.
Mountain Lake in Autumn 1861 … Louis Remy Mignot
Frederic Edwin Church (1826-1900) a Connecticut born founder of the Hudson River School, was known for his large panoramic landscapes that put an emphasis on light and a romantic respect for natural detail.
Autumn 1875 … Frederic Edwin Church
Alexander Lawrie, Jr. (1828-1917) was a Philadelphia portrait artist who occasionally painted landscapes. He served valiantly in the Civil War, and studied in Paris and Florence. His painting, Autumn in the Hudson Highlands, below, was shown at the Philadelphia Centennial Exhibition in 1876. It combines the realism of other Hudson River painters with the new style called Impressionism.
Autumn in the Hudson Highlands 1875 … Alexander Lawrie, Jr.
Jasper Francis Cropsey (1823-1900) was born on Staten Island, and became a respected architect in New York City. After living in Europe for eight years, he returned to begin painting large landscape of New England in autumn. Cropsey was best known for his lavish use of color and, as a first-generation member from the Hudson River School, painted autumn landscapes that startled viewers with their boldness and brilliance.
For Louisville The Greenwood Lake 1875 … Jasper Francis Cropsey
James Renwick Brevoort (1832-1918) came from an artistic family in Yonkers, New York. His cousin, James Renwick, Jr., designed New York’s St. Patricks Cathedral. The combination of technical ability and artistry he exhibited at the height of his Hudson River School period have come to be regarded as among the finest examples in that phase of American landscape painting.
Lawrence Mazzanovich (1871-1959) was born in 1871 on a ship off the coast of California, trained in Chicago and Paris before settling in the village of Tryon, North Carolina in 1923. He specialized in vivid, impressionist landscapes of mountain settings, and was drawn, like many of his contemporaries, to the increasingly cosmopolitan atmosphere Tryon offered. Although these works were completed after the turn of the 20th century, I’m including them because they represent the best of North Carolina Mountain Impressionism, which was so influenced by the painters of the Hudson River School.
Connecticut Autumn … Lawrence Mazzanovich
In 2010 at The Hudson River Museum in Yonkers, New York, over 100 autumnal paintings were on display. All of the artists in this post were represented, and it remains as the most comprehensive assemblage of this genre yet compiled.
Thomas Cole was born in England and moved to the United States with his parents. He studied at the Pennsylvania Academy of Fine Arts and borrowed $25 to visit the Catskill Mountains and Hudson River Valley. He was fascinated with the natural landscape and produced many drawings and paintings of the trees, waterfalls, and lakes. Upon his return, he sold three of his paintings for $25 each. Word of his talent spread and soon he became very popular and could hardly keep up with the demand for his work. His style marked the beginning of the Hudson River School.
“There is one season when the American forest surpasses all the world in gorgeousness…”, wrote Hudson River School painter Thomas Cole in 1835, “…that is the autumnal; — then every hill and dale is riant in the luxury of color — every hue is there, from the liveliest green to deepest purple from the most — golden yellow to the intensest crimson.”
I couldn’t have said it better……
Heading southeast from Black Mountain on NC 9, you cross the Eastern Continental Divide at 3,000 feet. From there, the colors were at their peak all the way to Round Mountain north of Chimney Rock. The sun was setting, and the leaves took on an ethereal glow all through the woods.
Remember, you can make any image full screen by just clicking on it…
The road to Sundance Ridge on Round Mountain was ablaze with the best color I’ve seen this season. For those purists out there, these are the colors just as they appeared in my raw digital image. Being there, they seemed artificial in their brilliance.
From the gap between Round and Stone Mountains, the view toward the northeast featured Grandfather Mountain in the center, with the peaks of Linville Gorge to his right. Sometimes the light at dusk is more rewarding than full sunlight.
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