A Drive around Asheville Country Club

After attending a luncheon at the historic Asheville Country Club, I took a leisurely drive through its meandering lanes past fields of Sunflowers, past architecturally unique homes with flower filled gardens, and along emerald fairways with wide mountain views that rival those found at Biltmore.

Mature Rock Garden along Cedar Creek

Gated communities like to attract attention with creative landscaping around their entrances, and when Cedar Creek Mountain opened ten years ago five miles north of Lake Lure, it was no exception. Cedar Creek cascades over the Blue Ridge Escarpment on a six mile course from its highest spring run below 2,800′ Round Mountain in eastern Buncombe County, into Rutherford County, where it becomes a peaceful stream eventually joining the Broad River.

The “Mountain” in the name is actually 2,600′ Roan Horsetop Mountain, just south of 3,100′ Wolf Pen Mountain. The developers chose to construct an elaborate rock garden featuring a waterfall, a line of Southern Magnolia, ornamental Cypress and Spruce, many varieties of Juniper, and beds of flowering perennials for color. Only five homes have ever been built there, but the rock garden has been maintained, and a bridge over the creek was recently improved with natural log safety railings.

Young’s Mountain, also 2,600 feet, sits at the eastern end of Cedar Creek Road…

A moderate rain was falling along the creek…
Magnolia, Fancy Arbor Vitae, Cypress, Juniper, and Cone Flowers
Semi bonsaied Blue Spruce
Waterfall area… Japanese Ground Juniper on the rocks

A well maintained rock garden can add so much to the natural beauty found throughout these mountains. Though many of the plants are not native to North Carolina, they are non-invasive. A steady rain only intensifies the variations of green these plants offer the eye.

Rough Ridge Trail at Grandfather

From the Blue Ridge Parkway below Grandfather Mountain, you’ll find the entrance to Rough Ridge Trail. Although rocky at times, it’s an invigorating climb to granite outcroppings that will give you the best views of Linville Gorge, the Eastern Escarpment, and Grandfather himself. Find a rock that you like, and just sit and enjoy the breathtaking vistas all around you. We got lucky on a day in the low 60’s, with low humidity. You must hike this trail.

Touring the Blue Ridge in 1985

In July, 1985, I made my first solo trip to the North Carolina mountains. I drove my 1983 Cadillac Coupe de Ville, and floated along the Parkway, taking side trips of discovery along backroads. My home base was a rustic cabin in northern Madison County, along Shelton Laurel Creek. I spent two weeks getting to know the places that would become so familiar to me twenty-five years later.

In those days, I had a very large VHS video camcorder that had to be plugged into the car lighter to work. No battery thirty-six years ago. I got to know the French Broad River very well, capsizing a canoe in a large rapids, much like the boys who you’ll see in the video. I got to know the Blue Ridge Parkway north of Mt. Mitchell, and much of the video was made from Parkway Overlooks. I had a lot of rain during my stay, but it never stopped me from exploring these magnificent valleys.

The video runs for twenty minutes, and the quality of the original tape sure makes me appreciate today’s digital Hi-Def cameras. As the late Donald Rumsfeld once said, “You go on vacation with the cameras you have, not with the equipment you wish you had”, or something to that effect.

Mountain Landscapes of Robert Duncanson (1821-1872)

Below are excerps from an article by Robert Alexander Boyle that was originally published in the 21st Anniversary/Spring 2021 issue of Antiques & Fine Art magazine, a fully digitized version of which is available at www.afamag.com.

Robert Duncanson (1821–1872), the Black artist of the Hudson River School, presents a challenge for scholars. His varied output—still life, genre, allegorical subjects, murals, and landscapes—presents a body of work yet to be fully deciphered. Guiding to a deeper interpretation are the extraordinary circumstances of a Black artist in the volatile 1850s, a fulcrum of experience forced between the Fugitive Slave Act of 1850 and the Emancipation Proclamation of 1862. Recent discoveries of long lost paintings by the artist, period literature and newspaper clippings, and maps and census data provide an eye-opener of context to Duncanson’s artistic journey. Applied to his art, this material reveals the hunger for freedom and basic human rights, all set in perilous but beautiful landscapes.

Robert S. Duncanson

In 2003, a previously unknown work by Duncanson of Asheville, North Carolina, dated 1850, surfaced at Brunk Auctions, also in Asheville Accompanying the painting was a period newspaper from the Asheville Messenger describing Duncanson’s trip to the vicinity in August of 1850. Until the newspaper clipping was found, no proof existed that Duncanson had ever set foot in North Carolina, though works exhibited by him in Cincinnati from 1850 to 1863 had titles invoking the state. The writers of the newspaper article mention that Duncanson had covered a great deal of territory:

Artists Mr. R. S Duncanson and A. O. Moore of Cincinnati, Ohio, have been at our village and vicinity of a fortnight and more, taking sketches of the mountains and river scenery. They have visited Warm Springs, French Broad, Black Mountain, Cumberland Gap, and Hickory Nut Gap. And have a number of correct sketches of the most interesting objects at these places. Mr. Duncanson appears to be a fine artist and has shown us a number of very pretty sketches. We hope he will be amply repaid for his trouble, and if he has them engraved, we have no doubt a large sale will be made of them. We wish him abundant success. Certainly no part of America presents more, nor a greater variety of beautiful and grand scenery than Western Carolina and we are proud that artists are beginning to appreciate it. We are indebted to them for a very beautiful sketch of Hickory Nut Falls.

Robert S. Duncanson (1821–1872), View of Asheville, North Carolina, dated 1850. Inscription: (On back, under lining:) signed R. S. Duncanson. Oil on canvas, 23½ × 32½ inches. Greenville County Museum of Art (03.21.14).
View of Asheville 1850 (Detail)

The Asheville painting is a large panoramic composition view, derivative of Thomas Cole in terms of palette and brush. It is dark and dramatic, and somewhat loose in execution. The historic owner of the canvas prior to its sale was the Patton family of Asheville, and tradition held that it was executed for James W. Patton (1803–1861), who by 1860, was alleged to own seventy-eight slaves; he was one of the largest owners in the area. A smaller painting, similar in subject and date, belongs to the Museum of Fine Arts, Houston . In that view, the town of Asheville is framed by gnarled and blasted trees trunks, clearly a devise borrowed from Thomas Cole’s Lake with Dead Trees (1825). The smaller work is believed to have descended in the family of Ernest Israel of Ashville before it arrived in the Museum of Fine Arts Houston collection in the early 2000s. It was a relative of Ernest Israel, named Jerry Israel, also of Asheville, North Carolina, who found the 1850 newspaper article. Jerry worked in the local newspaper business for many years before becoming an expert on the history of the Smokey Mountains as well as a partner in Brunk Auctions.

Robert S. Duncanson (1821–1872), A View of Asheville, North Carolina, 1850. Oil on academy board, panel: 13 × 18-13⁄16 inches. Museum purchase funded by the Susan Vaughan Foundation in memory of Susan Clayton McAshan. Museum of Fine Arts, Houston, Tx (2001.85).

(Note: The above images were made from a place on today’s Sunset Mountain)

Duncanson’s companion on his southern trip was A. O. Moore, better known to history as Augustus Olcott Moore (1822–1865), an artist then publisher of books on horticulture, who was born in Augusta, Georgia.  Two locations visited by Duncanson and Moore were Warm Springs and the French Broad (River), both in the valleys on the border of North Carolina and Tennessee. Travelling up and down the Tennessee River, the largest tributary of the Ohio River, and by extension its remote Smokey Mountain tributaries, would explain how Duncanson and Moore accessed the area, since there were no railroads in that part of the country in 1850. In 2016, another work was brought to auction at The Potomack Company in Washington, D.C., a scene of the French Broad River, on the border of Tennessee and North Carolina (Fig. 3). Similar to the Asheville works, leaning trees bracket the romantic composition left and right; a Cole formula to give the illusion of depth. In the middle, birds flock together before heading north for the summer.

Robert S. Duncanson (1821–1872), French Broad River, circa 1850–1851. Oil on canvas, 17 × 24 inches. Courtesy Private Collection, Bronxville, N.Y. Courtesy Private Collection, NY.

Resulting from that same 1850 trip to the western Smoky Mountains are two paintings, both 16 by 26 inches, possibly originally a pair. Rediscovered separately, one was exhibited in Cincinnati’s Western Art Union, in July 1851. This Eastern Tennessee work was cited in Cincinnati newspapers in the summer of 1851, less than eleven months after the Asheville trip, and described as follows: Duncanson’s View on Clinch River, is a fine picture. It gives a view of the stream for some distance—of a plain on the opposite side, and of hills and mountains in the distance. The water has fine effects, and the distance is revealed as faithfully as in any picture we have seen by this artist, and his distance is good almost invariably.” 

Robert Duncanson “View of Clinch River” 1850
Fig. 4: Robert S. Duncanson (1821–1872), Landscape in the Smoky Mountains, Short Mountain, Tennessee, 1851–1853. Oil on canvas, 16 × 26 inches. Courtesy Winterthur Museum; Museum purchase with funds drawn from the Centenary Fund, Courtesy of Winterthur Museum

Some twenty works of North Carolina and Tennessee have now resurfaced, some of which display a crisper hand or finer draughtsmanship compared to Duncanson’s Cole-influenced earlier romantic vistas. This advancement in technique and use of multiple layers of pigment, and a known canvas in the collection of Walter Evans dated 1856, begs the question as to whether Duncanson returned south or simply revised earlier works in his studio after his European tour of 1853–1854, when he was exposed to the work of the Pre-Raphaelites in England? Though yet to be determined, it’s likely that Duncanson returned to North Carolina in 1856.

Robert Duncanson (1821–1872), Cattle and Rainbow, 1859. Oil on canvas, 30 × 52¼ inches. Smithsonian American Art Museum; Gift of Leonard and Paula Granoff (1983.95.160). (President Joseph Biden was gifted this landscape by The Smithsonian American Art Museum to be added to the art installed in The White House)

Blogger note: Robert Duncanson emerged as the top African-American artists of the 19th century. His bravery in coming South in the 1850’s prior to The Civil War gave him a special place in the history of the Abolitionist movement. His talents compare with the best White painters in the Hudson River School.

June is Tiger Lily Time

As May turns into June, you can always be sure that the Tiger Lilies will begin to open along the road and creeks on the eastern slopes of the Blue Ridge. They only last a few weeks, and are gone for another year.


Poinciana Time in Miami

Native to Southeast Asia, the Royal Poinciana Tree found its way to the Caribbean, and eventually to Southern Florida. Known also as the Flamboyant Tree, the Poinciana has a deep root system, making it perfect to survive hurricanes and drought. In winter, it loses its delicate leaves, allowing sunlight to filter down to grasses and shrubs below. and in May through August, the leaves return, and magnificent blossoms cover the entire canopy. The most common color is a brilliant red/orange, with white streaking on the inner petals, but less common are the orange/yellow flowers, and the rare yellow variety. The trunks and limbs are smooth, and the canopy can be up to seventy feet across.

A street in Coconut Grove, Miami
Peacocks moving freely in Coconut Grove
Urban sub-tropical jungle
Granada Golf Course, Coral Gables
Granada Golf Course, with Pink Shower, or Cassia Javanica Tree, also called an Apple Blossom Tree
The Golden Shower Tree blooms in late May and early June, and is often seen together with the Royal Poinciana
My acrylic on wood panel painting of the Royal Poinciana with St. Sophia Greek Orthodox Church, Miami

A Garden of Pink Lady Slipper Orchids

The rarest wildflower I’ve ever found in the woods within a half mile of the house is a Pink Lady Slipper Orchid. Seven years ago, I came upon two plants in bloom about a quarter mile to the north, almost totally hidden by Mountain Laurel shrubs. The following year, I found one plant blooming in the same place, but since then, nothing there. Last May I was pleasantly surprised to discover six plants just thirty yards into the woods next to my carport. One bloomed, and I knew that this May, I might find more.

This morning I went into the woods as we returned from our walk, and there they were. I counted six orchids in bloom, seven in the process, and a number more just sprouting. As they say, “Good things come to those who wait…”.

Asheville’s Sunset Mountain

Asheville in mid April four years ago.

Living in The Blue Ridge Mountains of North Carolina- A Blog

Above the iconic Grove Park Inn, a labyrinth of narrow drives and precipitous switchbacks hides a collection of mansions that would rival anything found in California or the Italian Riviera. Clinging to hillsides so steep that many are invisible as you traverse the storybook lanes, these dowagers also are surrounded by gardens of evergreens and blooming shrubs that have been nurtured for decades to appear as though Mother Nature did all the work.  Mid-April is traditionally the peak of Azalea and Dogwood season in the Mountains, and there’s no better place to observe this annual show than along these winding roads on Sunset Mountain.  Here are images made on April 18th, showing just a fraction of the overall beauty just waiting to be appreciated by the curious visitor.

Sunset Mountain Asheville Azaleas

Sunset Mountain Asheville Wysteria Dogwood and Wisteria

sunset mountain asheville castlesunset mountain asheville azaleas 5Sunset Mountain Asheville Iris 1Sunset Mountain Asheville Iris 2

Sunset Mountain Asheville azalea garden A Garden walkway with Japanese Maple

sunset mountain asheville azaleas vistasunset mountain asheville dogwood

This 50 second video gives a more three dimensional view…

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Clear Horizon at Montford Cove

Four years ago.. worth a revisit…

Living in The Blue Ridge Mountains of North Carolina- A Blog

After four inches of rain on Sunday and Monday, a passing front cleared the air and lowered the humidity to winter levels. The clarity of the mountain views was remarkable for late April. Montford Cove is a farming community a mile north of my home. This is one of my favorite vantage points anywhere along the Blue Ridge Escarpment. This image was made looking to the southeast, with Tryon Mountain in the far distance along the North and South Carolina border. Charlotte would be just over the mountain on the left.

Montford Cove toward Tryon MountainLooking toward the southwest toward Lake Lure…montford cove toward Lake Lure

That’s Tryon and Bill’s Mountains on the horizon with Oak Mountain to the right. New Spring leaves give the canopy a rich glow of every shade of green. Visibility was unlimited.montford cove toward Tryon and Oak Mountains

This was a similar view just three weeks ago…montford cove view of Tryon Mountain

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